1/23/2022 blog

On a novel extract

From that novel Ill Will by Dan Chaon a few years back

“But now, with my eyes opened in the dark, the clicks and hums of the house settling, the radiators stirring, the appliances doing their secret nighttime work, with my heart beating in an uncomfortably noticeable way, I couldn’t help but think: What if the dots are connected?” —page 233

The novel is about a psychologist in the Mid-West dealing with a number of people involved in a killing spree from the late-20th century and an apparent case of repressed memory in at least one person or communal cover-up.

Everyone has some memory problems, and it can be more convenient sometimes to block painful memories.

I find writing basic plot to be easier than describing setting in fiction. I suppose writing about an environment is like being a designer trying to decorate a home in good taste.

Describing a place and possibly ethos can be difficult. “And place is always and only  place.” –T.S. Eliot

1/22/2022 blog

On  a recent novel review in The Irish Times and an original poem

“There is a lot of excruciating sex in the book. The title Luster is a very obvious nod to the content. Lust and longing are constant motifs in the novel from awkward, sometimes violent encounters with her married lover to the casual and darkly funny sex of unfortunate workplace assignations.”

I am trying to have a novel published in the next few weeks. It is more a psychological thriller than erotic, but I believe eros is pervasive in life. To me, eros could almost be a substitute word for life.

As for extramarital affairs, I don’t condone them, but many great novels deal with the subject. One of my favorite novels, The End of the Affair, is about a bitter novelist having an affair with a married woman.

“Cry and Die” by yours truly

Cry then die:

“Balance of nature.”

Let brain fry.

Don’t ask why.

“Birds fly! Over the rainbow… ”

But always wear a tie.

Trust me guy:

I don’t lie.

1/21/2022 blog

On pain and two original poems

I tried for a year as a pre-adolescent and in my first year of high school to play formal-league U.S. football. It didn’t go well, so I turned to running and swimming for exercise.

But one thing one of the coaches said in the pre-adolescent year has stayed with me. After I got hit really hard by another player in practice, the coach patted me on the shoulder and said something like “don’t fight the pain.” I think it was a profound statement. Sometimes trying to resist pain only makes the pain worse.

Two poems

“Torso” by yours truly

Tore my torso;

Makes me so sore so,

Behold and lo so:

You may not want to know,

So I’ll try to keep quiet.

More should try it.

“Friend” by yours truly

“Do you have a squirrel friend?”

“No, no committed URL friend either. Won’t pretend.  You know how it is on the Internet.”

“Do you have a whirl friend?”

“Yes, he keeps dragging me into a vortex. His name is Ezra Pun-d.”

“Do you have any hurl friends?”

“Yes, you know how it is with guys. Sometimes we drink too much when hanging out.”

“Did you ever have a curl friend?”

“Oh, yes, her hair!”

“Do you have hyper-real friends?”

“Yes, I believe I am very popular.”

 

1/20/2022 blog

On an article and three jokes

From a recent article about fiction in The Washington Post:

“For Gillian Flynn, a novel often arrives in a single mental image.

‘I immediately had this picture of a man coming home to his house and the door flung wide open,’ she says of what would become a pivotal scene in her game-changing Gone Girl. Flynn, laughing, describes it as the moment when antihero ‘Nick gets in trouble,’ and the image was so entangled with Flynn’s real life that, in that first glimpse, Nick was walking through her own front door.

,,,

The question of what writers ‘see’ as they write is both fascinating and abstract. Research has found that some people, including authors, have no mind’s eye at all; Aldous Huxley wrote, ‘I am and, for as long as I can remember, I have always been a poor visualizer. Words, even the pregnant words of poets, do not evoke pictures in my mind.’”

Two thoughts

  • The article is interesting because it deals with fictional authors discussing the way visual experience or imagination may influence what they write: the “mind’s eye.” Visual images can be inspiration for creative writing. And with us all watching more movies and TV, the visual has become more influential.
  • I think a lot fiction builds on what this article refers to as a “pivotal” scene in Gone Girl. The writer has a vivid, climactic scene in mind for whatever reason and then does the slightly more tedious work of explaining what leads up to it and what follows.

Three jokes (sorry to social media contacts who may have already read the first two today)

  1. “What do you think of the issue of human whites in China?” “I think it is fine; people are people, as long as Westerners get proper visas, show respect, and learn at least a bit of the language.”
  2. Edited from President Biden’s q and a yesterday: when asked about apparent low popularity in polls, he responded, “I don’t trust Poles, Czechs, or Hungarians.” Media relations officer: “Sounds racist, Take it out.”
    3. I just saw my life flash before my eyes, and, frankly, it was rather sad and boring.

1/19/2022 blog

On politics/art and three brief poems

Watched most of Joe Biden’s speech and q and a today. Some thoughts:

  • This reminded me again, because of social distancing, of Ionesco’s play The Chairs because the audience can seem so empty (the play involves an audience of none). A few months ago, I referred to the play while writing about an online Mass that had almost no audience in reality.
  • It also reminded me of that play because both the real-life speech and q and a for the president  and the play involve an authoritative speaker who is expected to make an important statement but disappoints.
  • I think Joe Biden is a decent and diplomatic person, even though I don’t agree with many of his policies. I briefly met his youngest son my first year of college; he seemed kind.
  • The Chairs seems to be about waiting for a big arrival that never comes, as Waiting for Godot does. Having been a reporter who went to many press conferences that were less than over-whelming, I know the feeling.

“Sing” by yours truly

“Singapore. Sing no more. But don’t ignore:

Don’t fall on the floor or date a whore.

What’s bore times bore?”

“Don’t want to know; why do you?

Not good at math anyway.”

“Foothill” by yours truly

Mountain or foothill?

As you do and as you will,

But please stop drinking all that swill.

Maybe take a pill,

Or try to just sit still.

“Cheese” by yours truly

The cheese has gone bad.

Does it make you mad?

It could have been delicious;

(Maybe even nutritious).

Don’t be meretricious.

Now can’t be topped on your hamburger,

You old, naughty rambler.

To this I’ll add:

The cheese has gone bad.

1/18/2022 blog

On a famous writer’s poem and one of my own
This poem, “My Last Duchess,” by Robert Browning came to mind recently because I have adorned my apartment with framed art on the walls. It calms me to have it, but sometimes you wonder why. It’s not pornography; I mean that.
I think Browning’s monologue is supposed to be about a rich, sociopathic murderer who is still obsessed with a past wife he killed because he thought she was cheating on him. Anyway, here it is:
“That’s my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now; Fra Pandolf’s hands
Worked busily a day, and there she stands.
Will’t please you sit and look at her? I said
“Fra Pandolf” by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, ’twas not
Her husband’s presence only, called that spot
Of joy into the Duchess’ cheek; perhaps
Fra Pandolf chanced to say, “Her mantle laps
Over my lady’s wrist too much,” or “Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat.” Such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy.
She had  a heart—how shall I say?— too soon made glad,
Too easily impressed; she liked whate’er
She looked on, and her looks went everywhere.
Sir, ’twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace—all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men—good! but thanked
Somehow—I know not how—as if she ranked
My gift of a nine-hundred-years-old name
With anybody’s gift. Who’d stoop to blame
This sort of trifling? Even had you skill
In speech—which I have not—to make your will
Quite clear to such an one, and say, “Just this
Or that in you disgusts me; here you miss,
Or there exceed the mark”—and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and made excuse—
E’en then would be some stooping; and I choose
Never to stoop. Oh, sir, she smiled, no doubt,
Whene’er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will’t please you rise? We’ll meet
The company below, then. I repeat,
The Count your master’s known munificence
Is ample warrant that no just pretense
Of mine for dowry will be disallowed;
Though his fair daughter’s self, as I avowed
At starting, is my object. Nay, we’ll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!”
“Sun” by yours truly
“Here comes the sun.”
It’s not alright (little darling).
It’s too bright,
Too much light.
“Son, today you are a man.
Fend for yourself.”

1/17/2022 blog

On a common phrase and two original poems

“Good luck.” Someone said that to me recently. It is an interesting phrase because (like “take care”) it can seem like phatic language, a sincere statement of support, or a passive-aggressive or sarcastic comment you are likely to fail. My first-year college roommate had a comical comment as I left the room: “Good luck, Shemp.”

In U.S, literature, the most famous use of the phrase may be in The Catcher in the Rye when Holden Caulfield’s sickly high school history teacher in a private meeting fails him for a really bad essay and says “good luck” as he is leaving. Holden gets really mad about the comment. But I think one of the ideas of the novel is the narrator is supposed to be very cynical about the world.

When I lived a while in northern England, their accents made “good luck” sound like “good look.” I thought it was charming.

“Rosé” by yours truly

“Hey, hey,

Lay of the rosé, José.”

“Anything more to say?”

“Don’t think all women are in play.”

“Oh well, okay.”

“Backpack” by yours truly

Can’t find my backpack:

All the things I lack, aackk!!

(You may think I deserve a smack.)

May have at a store left it behind.

Please, don’t remind.

 

 

 

1/16/2022 blog

An article and a poem

From a recent The Wall Street Journal article:

“A bit of distressing news: Americans are reading fewer books. At least that’s the report from the gang at Gallup, who surveyed U.S. adults in December 2021 and learned that we’re all individually reading ‘roughly two or three fewer books per year’ than we did in 2001.

I admit I was surprised, because I’d been under the impression that we’d all rediscovered the pleasures of the printed word during the pandemic—that, in addition to painting self-portraits, baking succulent sourdoughs, mastering archery and re-watching every season of “Barney Miller,” we were finding time to curl up on the couch by the fire and dig into Ulysses.”

At least I thought you were reading Ulysses. I was doing other stuff.”

The article interests because of my plans to publish my first novel in the next month or so and have published three non-fiction or poetry books recently. Unless you have supportive “critical mass” with the public these days, it is almost impossible to make a living from writing.

Or my writing may just be lousy. Haha. Boo hoo.

Like the columnist who penned the above quotes, I am also not reading as much recently. It is partly because of disruptions out of my control that broke my concentration to a large extent.

“W(r)e(e)ck” by yours truly

Sin-day

Pun-day

Flooz(y)-day

When-s-day?

(Re)-morse-day.

Cry-day.

(Oh, what-does-it)-matter-day?!

1/15/2022 blog

On an excerpt from Guyland and two original poems

From Kimmel’s sociological book (page 191):

“There is no expectation of a further relationship. Hookups can morph into something else: either friends with benefits or a dating relationship.,, But that requires some additional and complex negotiation. … Is it even fun?”

I had a few “hook-ups” when young. It is understandable that young people with raging hormones and unstable emotions would want to “hook up,” however briefly or badly it might go.

Someone I respect said allegations of date rape have a lot to do with how a man treats a woman after an erotic encounter, as much as what he had done or is accused of.

“Guts” by yours truly

Do you want to kick me in the guts?

Do you you think I’m nuts?

It doesn’t matter too much.

I don’t like physical violence.

My sense is  just try silence.

“Mean” by yours truly

Don’t say what you mean!

Or do say what you mean!

And avoid crude binaries: there is neither eros nor thanatos.

Might give one pause.

 

 

 

 

1/14/2022 blog

On James Joyce’s novel Ulysses

The Irish Times ran a brief piece recently on the one-century anniversary now of Joyce’s novel. Two paragraphs from it:

“Almost 100 years after its publication, James Joyce’s Ulysses has finally attained the recognition it deserves – as Ireland’s premier tourist attraction. State agencies and Irish diplomats around the world are stepping up their marketing campaigns in this centenary year, leveraging Joyce’s novel to boost visitor numbers. This is exactly what Joyce would have wanted. To maximise the book’s selling power, however, some hard decisions must be taken.

For the city-break market, the book’s length is an issue. A few judicious edits, starting with that 4,000-word final sentence, could cut Ulysses in half at little cost to the non-existent plot. “I fear those big words,” says Stephen Daedalus, “that make us so unhappy.” He’s right: remove the big words, starting with honorificabilitudinitatibus. The book’s dramatic climax – “yes I said yes I will Yes” – is actually repetitious and should be replaced with the more elegant “Absolutely”. Only Joyceans will notice these changes. Having officially run out of original things to say about the book in 1992, however, they will feel solemn delight at having new textual arcana to parse.”

The  multiple “yes” sentence that ends the book doesn’t bother me; it seems almost poetic. But one editor accused me in part in an essay considered for publication of “semantic layering” and placed his scalpel to my initial text. It reminds me of a joke  from the TV show Cheers: “So you’re saying I’m repetitive, that I’m redundant, that I repeat myself?”

My graduate school had an entire course on the novel that I took; it may have yielded my best essay. My favorite brief critic’s comment on the book was that it shows a single day can be an epic. A fellow student said it shows Catholic belief in the redemptive power of suffering. A professor qualified this as redemption through unwarranted suffering.