3/20/2021 blog

Recently got a book about Maya Lin, the artist who designed the Vietnam War Memorial on the Mall in Washington, D.C. I have been there several times, and it is a powerful tribute to the nearly 60,000 U.S. deaths during the war; of course more than 200,000  Vietnamese were also estimated to have died in the conflict. To me it is an interesting combination of the abstract, as it is basically two long granite walls forming a “V” shape, and the specific because it is filled with the names of fallen U.S. service people.

Lin’s memorial is on the north side of the Mall adjacent to the Lincoln Memorial and across the reflecting pool from the Korean War Memorial. The latter memorial is an interesting contrast to the Vietnam War one because it contains a group of realistic, slightly-larger-than-life-style statues of U.S. soldiers from the Korean War marching in one direction through inclement weather. The sharply differing artistic styles of the two war memorials may reflect the difference in historical attitudes to the two conflicts: while both cost many lives and vast damage, most people consider the Korean War to have been a victory for the U.S. and South Korea, while almost everyone acknowledges the Vietnam War was one of the worst military/political failures in U.S. history.

The two monuments bring to mind Wilhelm Worringer’s  1907 classic on art history Abstraction and Empathy, in which the German art historian posits that the abstract in art reflects a turn toward the spiritual in times of crisis, while the mimetic or realistic style is indicative of more confident and calmer times when empathy is preferred. He argues neither is superior, only a sign of their times. To me, the Vietnam War Memorial seems like a largely abstract reflection of U.S. regret about that conflict, while the Korean War Memorial is a more realistic/empathetic monument to a conflict many people are actually proud of.

3/19/2021 blog

Gatsby’s Green Light

Re-read the ending of The Great Gatsby, which seems to me to be one of the best examples of poetic prose (though I had an English professor object when I used the phrase “poetic prose” in class discussing another author, as if it were an inappropriate juxtaposition of terms). To me poetic prose just means vocabulary and syntax that is so finely crafted that it is almost lyrical.

The ending suggests some of the melancholy about U.S. history and the individual fate of Jay Gatsby in this novel. Charles Dickens was famously revolted by what he saw in the U.S. during his reading tour in the 1840s, particularly slavery in the South. Dickens’ reaction comes to mind toward the end of Fitzgerald’s work as his narrator imagines European explorers arriving on the continent: “For a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face-to-face for the last time with something commensurate with his capacity for wonder.”

The narrator Nick Carraway had glamorized Gatsby as a romantic idealist while also warning him about his attempt to win back a youthful romance now married to another man. Carraway reflects on what I consider a combination of eros, energy, and envy that is all too often true in many people’s lives, using the symbol of a green light on Daisy and Tom Buchanan’s dock for the envy Gatsby felt. “And as I sat there brooding on the old, unknown world, I thought of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s dock,” Carraway says as the novel nears its end. “Gatsby believed in the green light, the orgastic future that year by year recedes before us.”

The novel concludes: “It eluded us then, but that’s no matter — tomorrow we will run faster, stretch out our arms farther…And one fine morning — So we beat on, boats against the current, borne back ceaselessly into the past.” The final sentence is the epitaph on Fitzgerald’s tombstone in Maryland.

3/18/2021 blog

Thoughts on “Jane’s Addiction,” the late 80s and 90s rock band. I am listening to their album “Nothing Shocking” right now and saw them in concert a few years ago. The lead singer/writer Perry Farrell is interesting to me. My understanding is he is actually a conservative Jew despite his brutal lyrics. He is 61 now.

They are best known for the song “Jane Says,” which is interesting because it seems to be about a man imagining the feelings of a physically beautiful woman who senses men only want her because she is visually attractive. I think the best known line from the song is: “‘I only know they want me.'”

“She bid me take life easy,/As the grass grows on the weirs;/But I was young and foolish,/And now am full of tears.” — W.B. Yeats.

3/17/2021 blog

On this St. Patrick’s Day, thoughts on W.B. Yeats’ poem about the 1916 rising in Dublin against English rule over Ireland in the midst of the First World War. Yeats wondered whether his nationalist agenda at the Abbey Theater and through his poetry and essays had encouraged nationalist rebels to engage in a failed uprising that caused vast death and destruction. Art can influence real-life behavior; it isn’t always just an escape or a palliative for the stress of life. That is the thesis of an essay I hope to have published soon regarding realist drama and marriage law.

He mentions at the start of the fourth stanza of “Easter, 1916” that “Too long a sacrifice/Can make a stone of the heart.” How often do we find that prolonged sacrifice, depravation, and duress can harden and deform our personalities and emotions? The abused becomes the abuser, sometimes through sheer callousness.

Following is the first stanza of the poem, which notes how hollow rhetoric and supposed foolishness can transform into something gravely serious and powerful. The full  poem can be found at https://poets.org/poem/easter-1916
I have met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

3/16/2021 blog

      This is a travel article written some time back that I thought I would post on my website. It is about 1,700 words but worth a read if you are interested in this area.
Sunsets, Surrealism, Circus, and Seafood on Florida’s Gulf Coast
By E.C. Walsh
     Looking into a gulf coast Florida sunset can remind you of Dante’s saying “nature is the art of God.” The evening sun sinks slowly on the horizon illuminating a palette of pastel patterns, casting its glow on the wavy waters below and the vast sky above. The mélange of colors seems like something from a Surrealist painting.
     If Surrealism is your thing, you can observe the manmade version at the Salvador Dalí Museum in St. Petersburg. The museum contains the largest Dalí collection outside Spain, with more than 2,100 works including 96 oil paintings, drawings, prints, sculpture, photos, and manuscripts. Some of Dalí’s glowing skies and brilliant, melting colors seem to emulate Florida sunsets. For me on this visit, lazing and gazing on the white sand beach of Longboat Key, an hour’s drive south of the Dalí museum, nature was enough.
     When I was a child here in the late 1970s, Longboat’s beaches, boating, and golf courses were already a major draw for retirees and seasonal Yankee snowbirds. In his 1986 novel The Sportswriter, author Richard Ford has his hero end up on Longboat, which he describes as a place of “agreeable miscellany.” Returning today, I can see the town has attracted more tourism and residential land development, with luxury beach houses cropping up on what had been wildly wooded acreage across from the humble cottage where I lived. That ground-level abode and the dense foliage surrounding it were torn down and replaced with a new beach house and severely manicured lawn that meet modern requirements for elevated structures that avoid flood damage. Longboat does not have much undeveloped land left, only a few stray lots waiting for zoning permission or deep pockets. Preservation of natural landscapes is mainly limited to the island’s beaches, golf courses, and a mangrove bayside boardwalk designed according to stations of the cross behind the local Catholic church.
     A few miles south, Siesta Key has become one of the most popular beaches in the country thanks to its fine white sand, turquoise waters, and azure sky. Florida’s population has more than doubled since 1975 to about 21.5 million in 2019. Sarasota and Manatee counties, which include Siesta, Longboat, Bradenton Beach, Venice Beach, and many other coastal destinations immediately south of Tampa, have seen their populations grow at an annual rate of 2.7%-3.0% between 1970 and 2018.
     Immediately north of Longboat, Bradenton Beach has a more concerted nature preserve at Leffis Key, a saltwater wetland essential to the health of the local estuary. Leffis has a 26-foot high hill in the center of the restored area with a 360-degree view of Sarasota Bay and the Gulf of Mexico. The hill and surrounding walks were planted with native dune and coastal ridge vegetation and over 20,000 marsh grass plants thanks to volunteer labor. The site also has footpaths 1,500 lineal feet of boardwalks that meander through the mangrove forest, with strategically placed viewing platforms. Local authorities also protect mangroves on private land, as they grow quickly on bayside waterfronts and present a tenacious barrier for storms and floods.
     For all the economic and population growth of Bradenton Beach, Longboat, Siesta, and neighboring city Sarasota, the brilliant sunsets and luxuriant beaches of the region have not changed. Local folklore holds that if you see glimmering green among the colors on the horizon just as the sun seems to submerge in the sea, your wishes will be granted. Renowned Florida writer John D. MacDonald named one of his novels, A Flash of Green, based on this belief.
     MacDonald’s novel, dealing with intrigue and corruption surrounding a Florida gulf coast land development, was inspired by the late 1950s dredge-and-fill creation of Bird Key, a residential community between bayside Sarasota and the coastal keys. The author, famed for his Travis McGee series of thrillers, lived in Sarasota for a time, and the city commemorated the centenary of his birth a few years back with a day of events that included the screening of a film version of the novel. The Sarasota area’s coastal beaches also inspired Stephen King’s novel Duma Key, in which an aspiring painter protagonist combines sunsets and Surrealism.
     Land development remains contentious today. Many locals protested a recent proposal to turn a disused commercial lot on the north end of Longboat Key into a hotel, arguing it would aggravate traffic problems. A long-closed gasoline station on the north end was converted this year into a pleasant bodega-style café that seems more amenable to the natives.
      Construction cranes can be seen raising new buildings in downtown Sarasota, which offers more culture and commerce than the region’s beachside communities. In addition to shops, restaurants, theatres, and an opera house, the city is home to its own busy airport and The Ringling, the State Art Museum of Florida, an arts, architecture, and theatre complex on the waterfront former estate of circus impresario John Ringling.
     Italiano-philes, John Ringling and his wife Mable, made very wealthy by their circus business and Florida real estate investment, built a 36,000-square-foot mansion in Venetian Gothic style during the Roaring Twenties. Dubbed “Ca’ d’Zan,” Venetian dialect for “House of John,” the mansion and the rest of the Ringlings’ Sarasota estate were acquired by the state of Florida in 1946, but the house went through years of decline before a $15 million renovation completed in 2002. Before its renewal, the dilapidated building served as Miss Havisham’s decaying mansion in Alfonso Cuarón’s 1998 modernized film adaptation of Charles Dickens’ Great Expectations. Today it is open to the public daily.
     Soon after finishing his mansion, Ringling opened nearby a 21-gallery art museum to the public stocked with his avidly purchased European paintings including Old Masters like Velazquez, van Dyke, and Rubens. Modelled on Florence’s famed Uffizi Gallery, the Ringling Museum of Art includes a courtyard overlooking Sarasota Bay with replicas of Greek and Roman sculpture that have as their centerpiece a bronze cast of Michelangelo’s “David.” Operated today by Florida State University, the museum opened a 25,000-square foot Center for Asian Art in 2016, diversifying its original Eurocentric focus.
     If you want to get a better sense of how the public entertained itself before movies, television, and the Internet dominated leisure time, the Ringling Circus Museum recounts the history of the Ringling Brothers and Barnum Bailey Circus, also known as The Greatest Show on Earth. The estate’s 66-acre Bayfront Gardens has an extensive collection of banyan trees for children in search of natural jungle gyms (though they might not pass a safety inspection). The estate is also home to the Historic Asolo Theatre, first built in Asolo, Italy, in 1798, brought to Sarasota in the early 1950s, and restored in 2006. Asolo performances–which typically include classics like the works of Shakespeare, Arthur Miller and Noel Coward–are currently on hold, as many theatres have suspended shows for Covid-19, but the theater hopes to resume them soon.
     Back on Longboat Key after a day at the Ringling, breezy evening temperatures make for a pleasant hike to Beer Can Island on the key’s northern tip. Technically a hooked spit rather than an actual island, Beer Can is formally known as Greer Island Park. It got its more common name from its reputation as a hangout for local beer buddies. While the beach here is cleaner than the name implies, it’s still a popular recreational area for boaters and beachcombers. It offers a scenic walk among thick mangroves (whose jutting roots can be treacherous: you may want to wear shoes), Australian pines seemingly fighting a losing battle with encroaching gulf tides, and loitering birds such as seagulls, egrets, and pelicans. Beer Can is located on Longboat Pass across from the larger and more crowded Coquina/Bradenton Beach, with its lifeguards, parasailing, and user-friendly parking, picnic tables, rest rooms, and changing rooms.
     If you prefer something more active than lying and walking on the beach, fishing is of course very popular, and you can rent a motor boat from Cannons Marina on Longboat and jet skis from H20 Watersportz or Cortez Watersports in the nearby fishing village of Cortez. For a lower-tech, physically challenging tour of local waters, you can rent sea kayaks from numerous outlets in the Sarasota area. Kayaks can be a great way to observe schools of dolphins, manatees, and birds. I once had dolphins swim alongside my kayak on the key’s bayside as if they were a friendly escort. On the weekends you will see dozens of boaters moored at Beer Can Island and the neighboring Jewfish Key sandbar, and groups of jet skis. In this time of plague-like calamity from the coronavirus, some of these groups bring to mind what I think of as the four “jet ski boys” of the apocalypse. You may as well go out having fun.
     As for eating out, Bradenton Beach and Anna Maria Island a short drive north offer a variety of cuisines and price ranges, and these towns also have more vacancies for short-term rentals and hotel rooms. Beach Bistro is among the more gourmet destinations, with a beachfront view and surf-and-turf menu. On my visit, local seafood was a must. From the north side of Longboat or Bradenton Beach, for a no-frills grouper sandwich or scallops, Star Fish Co. Seafood Market and Dockside Restaurant in Cortez offers tasty fare, outdoor tables, and a nice view. For slightly fancier presentation, Dry Dock Waterfront Grill on the south side of Longboat Key serves a larger crowd and even has three slips for customers arriving by boat. A brief drive from Dry Dock is St. Armands Circle, a network of boutique shops and dining places including Columbia Restaurant. The Sarasota area’s oldest restaurant, established in 1959 as a branch of its Ybor City, Tampa namesake, Columbia is famous for Cuban cuisine such as “1905” Salad, Spanish bean soup, Cuban sandwiches, and mojitos.
     From Surrealism to Spanish bean soup, Florida’s gulf coast presents visitors with Old World influences and other-worldly vistas. Over the decades, year-round residents, seasonal “snowbirds,” and short-term vacationers seem to have struck something of an ecological balance. In-land areas like Bradenton proper are not as wealthy and have more problems with crime and addiction. But these areas also have the big-box stores that we all seem to need eventually. “The poor you will always have with you,” said someone famous.

3/15/2021 blog

Thoughts on Ambrose Bierce’s Unabridged Devil’s Dictionary. Bierce was basically a realist and comes across as very contrary as a result because people lie to themselves a lot, and someone who wants to tell the truth can seem ornery and difficult.

His entry for “beggar” says, “one who has relied on the assistance of friends” and “a pest unkindly inflicted on upon the suffering rich.” I have met a few homeless people in my new city. One of them is the most intelligent person I have met here, well-read and smart. I think we often stigmatize poor people, when they have just chosen to drop out of the capitalist system. I sympathize with them, as I sympathize with communists.

A following entry is for “belladonna,” meaning a beautiful woman in Italian and a deadly poison in English, a dichotomy, Bierce finds there to be distinctive differences between the Italian and English languages. My book notes the distinct differences between French and English versions of S. Beckett’s work. There is something “lost in translation.” Different languages can convey different attitudes.

3/14/2021 blog

Thoughts on Sun Tzu’s The Art of War, the 6th-century BC classic on strategy studied in many business schools today. It is often summed up with the line, “know your enemy.”

“Avoid Fighting.” Only engage when the opportunity is right. Some of us are sub-consciously belligerent or feel compelled to fight back when wronged by another. For some it takes a conscious, deliberate choice to decide not to engage with hostile forces. My older brother has a saying, “I choose my battles.” Mine has been too often that “I stick to my guns.”

“Avoid Adversaries’ Strengths.” Sun Tzu says never to attack an enemy’s strengths: “In war, the way is to avoid what is strong and to strike at what is weak.” The author recommends attacking first strategically, then diplomatically, and only as a last resort militarily.

“He will win whose army is animated by the same spirit throughout its ranks.” Whether on a playing field, around a conference table, or in battle, unity and clear communication are essential to a team’s effectiveness. Unity is essential to victory, and it helps to divide the competitor. A unified whole is usually superior to separate parts of an enemy.

 

3/13/2021 blog

Read an interesting piece from The Wall Street Journal on Stephen Sondheim, which suggests he now deserves a Nobel Prize after winning many other accolades and now at the age of 91. If nothing else, Sondheim demonstrates artistic geniuses don’t necessarily die young. The article describes him as “America’s greatest living writer.”

The article says, unlike some other successful Broadway writers, he was “drawn to complex emotions and adult situations that require shades of gray and sometimes turn dark.” Sondheim himself has written of “a tonic in things men do not wish to hear.” He achieved early success before 30 with lyrics for West Side Story and Gypsy. The article says he has a literary sensibility of “urbane skepticism and disillusionment” akin to Joan Didion and John Updike, an example being the main character of Company who is “paralyzed” by romantic options.

Sondheim is a lifelong New Yorker, a city which took over for Paris as “the cultural capital of the free world” following World War II but which became somewhat dysfunctional in the 60s and 70s (see the movie Escape from New York). His lyrics have been described as “cold,” and the article says they are more characteristic of a novel than musical theater. One of his best-known songs is “Send in the Clowns” (multiple versions available on YouTube) from the 1973 play A Little Night Music, which, the article says, shows “self-contempt beneath a proud front.”

The article mentions Sondheim shows a “combination of irreverence and moralism.” One of his best-know plays is “Into the Woods,” which combines characters from fairy tales like Jack and the Bean Stock, Little Red Riding Hood, and Cinderella and poses the question: “what happens when we get what we want?” One of my grad school classmates remarked that you’re disappointed either way. Sondheim’s point, the article says, seems to be there is no “happily ever after” in life, and it describes him as the “greatest realist of musical theater.” He portrays people as “self-destructive, conflicted, and vain but also capable of insight, forgiveness, and laughter.”

 

3/12/2021 blog

Picked up a quote from a free book box near my neighborhood today. There are a lot of things I like about the vibe and culture of my new city, even though I think politically I disagree with most of the local residents. One of the things I like is their promotion of free culture like this.

The quote is from Albert Einstein: “A human being is part of the whole, called by us ‘universe,’ a part limited in time and space. He experiences himself, his thoughts and feelings, as something separate from the rest — a kind of optical delusion of consciousness,” which Einstein calls a kind of “prison.”

A somewhat frivolous pop reference: Jewel sang and dramatized something similar in her song and video “Break Me” (can be found on YouTube) which her video director said was about “the illusion of difference.” It is a pretty song and nice video about the way people can meld into each other. Some find that off-putting, but I think it is beautiful in a way. We are all just human.